Herbert as a Religious Poet
George Herbert is known as the metaphysical poet and by virtue of his faith in God and
religion. His poetry is a record of striving s, failures and victories in the
practice of the Christian life. He gave up life of worldly pleasures and
worldly ambition in order to become a country priest and to devote himself to
the service of God, both in the capacity as a poet and as a priest in practical
life.
Herbert
is a poet clergy who feels the supreme existence of the Creator in all living
beings, who realizes the endless outpouring of love and care of the Almighty
God towards His creatures. In his spiritual apprehension of the Divine Being
through contemplation he is second to none.
(Metaphysics
is a branch of philosophy dealing with the nature of existence, truth and
knowledge and this philosophy inspired Herbert
to meditate upon the Divine
Authority and discover the hidden truth lying in our lives.) Herbert’s poetry
is a sequence of religious poems, conceived and cast in the pattern of a
morality play. The chief subjects of his poetry are the Incarnation, the
Passion and the Redemption. He talks of man’s relation to God, of body to the
soul, and of life here to the hereafter. In this relationship he often shows
rebellion, reconciliation and the final submission. He argues with himself,
with God and with other supposed audience to arrive at some mystical reality of
life.
Like
all metaphysical, Herbert suffers from self-division, but he is sure of his
ultimate success in reaching the spiritual heaven. His poems, most of which are
argumentative, depict a conflict between the worldly and the unworldly
pleasures but at the end of each, he asserts his faith in the divine life of a
Christian.
Herbert’s
poetry is metaphysical by virtue of its subject matter. His poem, ‘Easter
Wings’, is a reflection on the Resurrection of Christ. It conveys the
philosophy of the realization of man’s sinfulness, the miseries misfortunes,
sorrows, sickness and disappointments which are the very basis of his
regeneration and resurrection.
There
is also a fusion of thought and feeling in Herbert’s poetry. For example, ‘The
Collar’ provides a blend of passion and thought. The poet here feels impatient
of the restraints which have been imposed upon his freedom by his priestly
vocation, and he gives expression to his impatience and the feeling of
rebellion which has arisen in him against his servitude to the church and God.
However, in the course of a long debate within, the poet hears a gentle rebuke
from God, and all his anger subsides and he immediately becomes humble and
submissive towards his Maker.
In
conclusion, we can say that Herbert is a great metaphysical poet both in matter
and method. In emotion and thought, he is a poet of the inner spirit. In style
he is intellectual, in diction he is homely and graceful and in the
construction of his poems his is logical. In belief and faith, he is a perfect
Christian.
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