“The Iliad” as a Primary Epic
An epic has been generally described as a long narrative poem, on a grand scale, about the deeds of warriors and heroes, kings and Gods. It is majestic both in theme and style. The Iliad is an epic poem by the ancient Greek poet Homer, which recounts some of the significant events of the final weeks of the Trojan War and the Greek siege of the city of Troy.
Epic poetry is
two types: primary and secondary epic. A primary epic begins in medias
res. In The Iliad, for example,
the story begins after the war between the combined forces of Greece and the
forces of the walled city of Troy and their allies has been in progress for
nearly ten years.
Like other
primary epics, The Iliad also
begins with an invocation to a god or gods. The poet, who in those days would
have been reciting the epic to an audience, say, at a banquet, began by calling
for a blessing--for a god or gods to attend this effort of his. In the case of
the beginning of The Iliad, the
poet says something like:
"Sing, goddess of epic poetry, the
story of the anger of Achilles."
In a primary
epic the theme is usually stated at the beginning of the epic, because these
poems are so long and so complex, although the basic stories would have been
familiar to the audiences. The theme of The Iliad is the wrath of Achilles,
which is stated at the beginning of the poem.
A primary epic
usually has many epithets. These epithets are re-naming of the characters, gods
or things by stock phrases. An example is the re-naming of Agamemnon and
Menelaus as "Atreus' two sons" or "the twin eagles." It is
important for us to notice these epithets because they add description.
In a primary
epic, there are catalogues of things and characters; there are many lists, both
long and short. In one book of The
Iliad, for example, there is a list of the ships that sailed from Greece
to Troy.
There are long
and formal speeches by many characters. You will not have any trouble spotting
these. Sometimes they happen in the heat of battle and other seemingly
inappropriate times, but more often they occur at various kinds of meetings, as
in an assembly of the chieftains.
In a primary
epic, Gods intervene in the affairs of human beings in these stories. For
example, in Book I of The Iliad,
Achilles, getting very angry at Agamemnon, starts to pull out his dagger to
kill him. Suddenly, a goddess rushes to the side of Achilles to warn him not to
be so hasty.
The setting of an epic is vast. The setting of The Iliad is also vast encompassing both the Greek and Trojan islands.
Epics use the
epic simile. An epic simile is a long comparison of two things. They make vivid
an image and describe. An example can be found in the long comparison of Paris
Alexander, a Trojan prince, to a fine horse that has been manger fed a long
time in a stable. When released to pasture, it races out with quick, sure
strides, neck arched, knees high, mane flowing, proud it its beauty and
strength , to race to drink from a clear flowing stream. So Paris ran to
battle.
The heroes
embody the values of their civilization. The physical strength and stamina of
Achilles, for example, is made much of. The lifting of the latch of the door of
his stockade requires the strength of three soldiers, but Achilles lifts it
with one hand. His spear, thrown so lightly, is eighteen feet long. He is a
power machine.
Thus, we see
that as an epic The Iliad
fulfills almost all the requirements of a primary epic.
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