Inner Conflict of Prufrock in The Love Song of J. Alfred Prufrock
Prufrock is the central figure or the
protagonist of the poem, The Love Song of J. Alfred Prufrock and what passes
within his consciousness, form the substance of the poem. There are dramatic
clashes and conflicts, not in action, but in thought and emotion, and thus his
indecision, his neurosis and his sense of his own impotence
are vividly portrayed. The image of the evening as a patient, ‘etherised upon a table’, the behaviour of the fog which is likened to a cat, Prufrock’s own conception of himself as a worm wriggling of the wall at the point of a needle etc. are all symbolic of his indecision, despair, inactivity and mental vacuity. With the progress of the poem the poet probes deeper and deeper into his consciousness and the past and the present are telescoped and fused.
are vividly portrayed. The image of the evening as a patient, ‘etherised upon a table’, the behaviour of the fog which is likened to a cat, Prufrock’s own conception of himself as a worm wriggling of the wall at the point of a needle etc. are all symbolic of his indecision, despair, inactivity and mental vacuity. With the progress of the poem the poet probes deeper and deeper into his consciousness and the past and the present are telescoped and fused.
Thus all through the poem Prufrock is
shown to be a tragic figure, despairing and pessimistic. He suffers from paralysis
of will. He has romantic dreams but fails to act and fulfil them. His tragedy
results from his failure to make a choice. He is afraid both to propose to his
lady and to change his life.
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